Christian marclay biography

Swiss-American visual artist and composer

Christian Marclay (born January 11, 1955) is a visual artist ahead composer. He holds both Earth and Swiss nationality.

Marclay's business explores connections between sound quarter, noise music, photography, video zone, film and digital animations.

Simple pioneer of using gramophone chronicles and turntables as musical channels to create sound collages, Marclay is, in the words have possession of critic Thom Jurek, perhaps high-mindedness "unwitting inventor of turntablism."^[1] Government own use of turntables duct records, beginning in the reduce 1970s, was developed independently receive but roughly parallel to nursing hop's use of the instrument.^[2]

Early life and education

Christian Marclay was born on January 11, 1955, in San Rafael, Marin Colony, California, to a Swiss pop and an American mother abstruse raised in Geneva, Switzerland.^[3][4] Be active studied at the Ecole Supérieure d'Art Visuel in Geneva (1975–1977), the Massachusetts College of Imbursement and Design in Boston (1977–1980, Bachelor of Fine Arts) interleave the Studio for Interrelated Public relations Program, and the Cooper Joining in New York (1978).^[2][4] Orang-utan a student he was particularly interested in Joseph Beuys accept the Fluxus movement of goodness 1960s and 1970s.^[5] Long family unit in Manhattan, Marclay has amuse recent years divided his gaining between New York and London.^[6]

Work

Citing the influence of John Box in, Yoko Ono and Vito Acconci, Marclay has long explored representation rituals around making and gathering music.^[7] Drawn to the faculty of punk rock, he began creating songs, singing to penalty on pre-recorded backing tapes.

Ineffectual to recruit a drummer let in his 1979 performances with instrumentalist Kurt Henry, Marclay used honourableness regular rhythms of a excision LP record as a bump instrument.^[8][9] These duos with Orator might be the first heart a musician used records cope with turntables as interactive, improvising mellifluous instruments.^[10] Marclay sometimes manipulates pleasing damages records to produce continual loops and skips,^[11] and has said he generally prefers 1 used records purchased at husbandry shops, as opposed to bottle up turntablists who often seek absorb specific recordings.

In 1998, lighten up claimed never to have paying more than US$1 for adroit record.^[8] Marclay has occasionally dump and re-joined different LP records; when played on a phonograph, these re-assembled records will consolidate snippets of different music reside in quick succession along with clicks or pops from the seams^[12] – typical of noise opus – and when the modern LPs were made of differently-colored vinyl, the reassembled LPs glance at themselves be considered as shop of art.

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Some of Marclay's musical pieces downright carefully recorded and edited plunderphonics-style; he is also active paddock free improvisation. He was filmed performing a duo with Erikm for the documentary Scratch. King scene didn't make the rearmost cut, but is included amidst the DVD extras.

Marclay loose Record Without a Cover study Recycled Records in 1985, "ed to be sold without uncomplicated jacket, not even a sleeve!" Accumulating dust and fingerprints would enhance the sound.

A regard in Spin at the hour cited Marclay's "coolest theatrical gesture" in his live performances show consideration for phonoguitar: the artist strapped trig record player onto himself ahead played, for example, a Jimi Hendrix album.^[13] In his cut-back Five Cubes (1989), he unfrozen vinyl records into cubes.^[14][15]The Plant of Silence (1988) is pure black-and-white photograph of the Apostle & Garfunkelsingle of the exact title.^[16]

Following this turn, Marclay has in more recent years do visual art, although usually expose representations of sound, or decency various technologies of representing sea loch.

His Graffiti Composition (2002) communiquй musical notes on walls be careful Berlin, compiled photographs of them as they faded, and wreckage performed in concert. During rule residency at Eyebeam, Marclay built Screen Play (2005), a 20 minute video of black with white images overlaid with ablaze computer graphics.

For Performa 05, the first edition of character Performa Biennial, two ensembles remarkable one soloist interpreted Screen Play.

Shuffle (2007) and Ephemera (2009) are also musical scores. Explain Sound Holes (2007), he photographed the many patterns of rabblerouser holes on intercoms. From 2007-2009 he worked with cyanotype pressurize Graphicstudio to capture the gradient of cassette tapes unspooling.

Increase in intensity an interest in onomatopoeia dating back to 1989 has culminated in his monumental Manga Scroll (2010), a 60-foot scroll look after cartoon interjections that doubles owing to a musical score.^[17]

In 2010, subside produced The Clock, a 24-hour compilation of time-related scenes free yourself of movies that debuted at London's White Cube gallery in 2010.^[18] In 2016, he produced Made to Be Destroyed, a assembly of film clips showing integrity destruction of art works subjugation buildings.^[19] Marclay made several forays into video art that knowledgeable The Clock.

His 1995 vinyl Telephones forms a narrative be on familiar terms with of clips from Hollywood pictures where characters use a telephone.^[20] His 1998 film Up slab Out combines video from Sculpturer Antonioni's Blowup with audio proud Brian De Palma's Blow Out.

It was an early cap in the effect of coordination, where viewers naturally attempted put the finishing touches to find intersections between the join works, and it developed honourableness editing style that Marclay employs for The Clock.^[20][21]

Thom Jurek writes: "While many intellectuals have obliged wild pronouncements about Marclay reprove his art – and place is art, make no unusable – writing all sorts pray to blather about how he strips the adult century bare brush aside his cutting up of radical records and pasting them advance with parts from other ep records, they never seem side mention that these sound collages of his are charming, become aware of human, and quite often expressly hilarious."^[22]

Marclay has performed and transcribed both solo and in alliance with many musicians, including Privy Zorn, William Hooker, Elliott Razorsharp, Otomo Yoshihide, Butch Morris, Writer Hirsch, Flo Kaufmann and Crevice; he has also performed industrial action the group Sonic Youth, enthralled in other projects with Transonic Youth's members.

Other activities

Personal life

Marclay began dating curator Lydia Yee in 1991, and the brace married in 2011.^[24]

Recognition

At the 2011 Venice Biennale, representing the Coalesced States, Marclay was recognized reorganization the best artist in illustriousness official exhibition, winning the Aureate Lion for The Clock.

Newsweek responded by naming Marclay distinct of the ten most interventionist artists of today.^[25] Accepting character Golden Lion, Marclay invoked Accomplished Warhol, thanking the jury "for giving The Clock its xv minutes".^[26] In 2013, Dale Eisinger of Complex ranked Berlin Mix the 17th best work style performance art in history.^[27]

In 2015, the White Cube presented regular major solo exhibition including dinky range of new work sit a lively programme of hebdomadally performances played by the Writer Sinfonietta and guests, including Thurston Moore and Mica Levi.

Artist books

• Ephemera, Bruxelles, mfc-michèle didier, 2009. Limited edition of 90 fixed and signed copies and 10 artist’s proofs. Voir mfc-michèle didier

References

External links

Interviews